Important actors Essay Example for Free

Important actors Essay The study of international relations has paved the way for the inclusion of important actors that contribute to the overall functions of practice in the international arena. In the course of time, actors involve in the practice has constantly been increasing due to the expansion of practice and scope in the area. Thus, there is a need to look into these actors and carefully assess their capabilities in promoting interests in the international arena. One important actor in international relations is the state. The capability of course by the state to formally promote relations with other actors circumvents primarily on its capabilities to function as one. According to (Williams, 2005, p. 2) â€Å"the contemporary nation-state is characterized by jurisdiction over territory, a political and administrative apparatus and the state recognizes no higher constitutional authority than itself. † Besides states, there are also other actors involve in the practice of international relations. Examples are individual actors, organizations, agencies and groups who also can help promote the functions of a state or the whole. According to (Williams, 2005, p. 2) â€Å"because individuals, groups and organizations acting in the name of the state are also sensitive to pressures and constraints other than international ones, including elite maintenance, electoral politics, public opinion, pressure group activities, ideological preferences, and bureaucratic politics. † In the course of history, there also had been developments in the international arena that paved the way for the emergence of transnational actors. Examples of these actors are transnational corporations and non-governmental organizations. They seek to promote the overall endeavors in the international arena. At the same time, as the world becomes more globalized, the tendency is there is a deeper avenue for them to promote their interests in the international arena. In the course of history, there had been tendencies of shifting of actor concentration in the international arena. That is why it is good to compare and contrast each actor’s importance in the practice of international relations. Looking at it, actor’s in international relations are primarily concerned in promoting their own interests. These interests are beneficial in the overall aim of the actor for its continued growth and sustenance. Looking at the point of view of interests, there are differences present between different actors in the international arena. A state may pursue its interest based on its overall welfare and capabilities. On the other hand, it may be different among other actors in international arena. An NGO may promote its interests founded on the protection of its ideology and welfare of its aim. Also, for transnational corporation, they seek to promote interests that are centered in creating benefits that would enhance their status in the international arena. With regards to relationship between nations, actors in international relations seek different mechanisms that will create an enhanced cooperation among different actors depending on the issue and interests being talked about. In addition, there has been an expansion of different theoretical paradigms to explain and argue on how actors affect different issues in the international arena. Thus, actors contribute greatly to the practice of international relations. There had been different theories and paradigms to suggest how these actors contribute to the overall process in the international arena. Lastly, these actors are primarily motivated due to their individual interests that motivate them to act accordingly. Work Cited T. L Williams. ‘Actors in International Relations. ’ 2005 accessed December 11, 2007; from http://209. 85. 175. 104/search? q=cache:I3UEDQx9zakJ:www. wadsworthmedia. com/marketing/sample_chapters/0534631894. pdf+actors+in+international+relationshl=tlct=clnkcd=1gl=ph.

Analysis Of A Motivational Speech By Queen Elizabeth I -- essays resea

The human desires of greed, wealth, and power have been embedded into the world's history as political figures have led invasions of other countries countless numbers of times. Whether invaded or being invaded, a country requires strong and capable leaders to see them through this difficult time. In 1588, Queen Elizabeth I of England gave a motivational speech to her troops using the rhetorical devices of diction, imagery, and sentence structure to motivate her subjects positively and to instill the fear of the pending invasion in their hearts. The queen uses positive diction, sentence structure, and imagery in her effort to motivate her people to defend their country from their Spanish invaders. She uses diction to praise and motivate her subjects. The queen refers to her people as "faithful" and "loving," praising their "loyal[ty]" and "goodwill." These positive words allow her subjects to see her as a caring, kind leader whose praise urges them to fight for their country. She also uses the words "noble" and "worthy" to describe her people's task of protecting their country against invasion. The use of such praising words makes her people see the task as important, and it will instill a sense of duty in their hearts to protect their kingdom. The queen further motivates her people by implementing the use of sentence structure. In the beginning of her speech, she says, "we have been persuaded." In the second half of her first sentence, she says, "I a ssure you I do not desire to live to distrust my faithful and loving people." Her use of the royal "we" and then her transition to "I" symbolizes her descent from the throne literally to speak to her troops on the field and figuratively by referring to herself as I. This will encourage the troops to see her as a fellow Englishman and not a distant queen. The queen also uses sentence structure when she says, "I myself will be your general, judge, and rewarder," and, "By your obedience.., by your concord.., and your valor.., we shall shortly have a famous victory." She speaks listing three things at a time, giving her speech rhythm. The mention of her three positions shows her as generous and powerful, causing her troops to respect and admire her. The listing of the three characteristics of her... ...age of the queen actually picking up a weapon and marching into battle with her troops. The importance of this image is that it encourages the troops to pledge their loyalty to their queen who seems willing to fight alongside them. The queen also scorns those who "dare to invade the boarders of my [the queen's] realm." This creates an image of the pending invasion in the minds of her people. With a vivid portrait of the upcoming battles, her subjects realize that they must be brave and loyal in order to defend their country. Perhaps the most vivid image is that of the "heat of battle." A fire-swept battlefield comes into mind, and the fear of such a battle will motivate the queen's subjects to protect themselves from such future battles. Clearly, the queen, using the rhetorical devices of diction, imagery, and sentence structure, was able to motivate her subjects positively and to instill the fear of the pending invasion in their hearts. Her concise but powerful speech was exactly what her troops needed to hear before marching to battle. The queen with her speech secured their loyalty and trust, and her oratory helped unify her people in their time of crisis.

Edgar Allan Poe Essay

The diction of Edgar Allan Poe’s works have surely enhanced their literary value . Firstly, Poe was a believer in the law of liberty of diction, in the aesthetic tradition in art, in storytelling. Hence, the diction in almost all his literary works, be they poems, short stories or whatever carry a smell of freshness, of originality, of innate beauty. Again, as he was an iconoclast he could free the diction of the â€Å"short stories† from the heresy of the didactic. He keeps an eye on details and hence a flexibility of diction was the need of the hour which he mastered. He has dovetailed poetry in prose as and when required in order to enhance the readability and appeal of the prose, in particular. For example, â€Å"Conqueror Worm†, as an individual poem has immense appeal as it can create a typical supernatural ambience. The lines have a dramatic ring, the diction is effective in weaving a credible picture of life, though, an angel comes and sits amidst the audience ‘to see/A play of hopes and fears’ where he found ‘much of Madness and more of sin/And Horror the soul of the plot! ’ But, in the middle of the poem, the tone alters and the brilliant effect is brought forth through befitting diction. ‘But see, amid the mimic rout/A crawling shape intrude! /A blood-red thing that writhes from out/The scenic solitude! /It writhes ! -it writhes! -with mortal pangs/The mimes become its food,/And the seraphs sob at vermin fangs/In human gore imbued. † The very lines from this poem, when incorporated into the famous short story â€Å"Ligeia†, it enhances the appeal of the latter. This story is primarily based on the theory of metempsychosis [transmigration of souls], as Ligeia makes a return to her husband through the takeover of the corpse of the second wife of her husband. Poe gets torn between the two disintegrated parts of the story—one, the life and death of Ligeia and the other, the return of heroine Ligeia ,years after, to life. It was not a cakewalk to harness the two threads to give rise to a unity of narrative. For this end in view, Poe has made use of a succession of highly suggestive images and words that mentally prepares the readers for the heroine’s strange return to life from the land of the dead. Weaving of the weird atmosphere adroitly with chosen, appropriate, vibrant diction reminds us of the romantic poet, S. T. Coleridge ,who with similar adept and facile pen used to make us ‘willingly suspend our disbelief’. For example, in the story ‘Ligeia’, the way in which the revelation occurs to Ligeia’s husband is really remarkable, â€Å"The greater part of the fearful night had worn away ,and she who had been dead once again stirred and now more vigorously than hitherto, although arousing from a dissolution more appalling in its utter hopelessness than any†¦Ã¢â‚¬ ¦.. The corpse, I repeat, stirred, and now more vigorously than before. The hues of life flushed up with unwonted energy into the countenance—the limbs relaxed—and, save that the eyelids were yet pressed heavily together, and that the bandages and draperies of the grave still imparted their charnel character to the figure, I might have dreamed that Rowena had indeed shaken off, utterly, the fetters of Death. † Through the turns of phrases, suggestive images, gothic expressions, meaningful caesura, hair-raising descriptions the writer dawns the ghastly truth upon Ligeia’s husband , at long last, â€Å" ‘Here then, at least, I shrieked aloud, ‘can I never be mistaken—these are the full, and the black ,and the wild eyes—of my lost love—of the lady—of the Lady Ligeia. † â€Å"The Tell-Tale Heart† is a significant story certifying Poe’s oeuvre. Use of maximum expletives is a characteristic feature of diction here. The very opening is striking from the point of diction, â€Å"True! -nervous-very, very dreadfully nervous I had been and am; but why will you say that I am mad? The disease had sharpened my senses –not destroyed—not dulled them. †¦. How then am I mad? Hearken! And observe how healthily—how calmly I can tell you the whole story. † The colloquial intimacy of the narrative, the protagonist’s fear of the old man’s ‘vulture-like, pale blue eye’, the Evil Eye , as he names it. After continuously assiduous attempts, he succeeds in killing the old man with the Evil Eye. But, he becomes victim of divine retribution and the ticking of the old man’s heart begins to throb in himself, abruptly, rather mysteriously and he admits the heinous deed. Poe’s diction is really apt in bringing forth the heart-rending finale of the story, â€Å" ‘Villains! ’I shrieked, ‘dissemble no more! I admit the deed! -tear up the planks! -here, here! -it is the beating of his hideous heart! † It has already been said that ,Poe believed that the tale should have unity of effect and that everything must be subservient to this unity. The Fall of the House of Usher is a brilliant example of Poe’s craftsmanship as it is tightly structured, concentrated and possessing unity of effect, diction, design and atmosphere. At the very outset, an atmosphere of desolation and disintegration is woven deliberately by Poe . The use of his another poetical piece The Haunted Palace is also timely and appropriate and in unison with the demand of the narration. Especially, in the concluding stanza of the poem ,we find the real appeal of the story packed meticulously, â€Å"And travelers now within that valley,/Through the red-litten windows see/Vast forms that move fantastically/To a discordant melody;/While, like a rapid ghastly river,/Through the pale door,/A hideous throng rush out forever,/And laugh—but smile no more. † In the following lines, Poe is keen on justifying the germaneness of the poetical lines, as included. The tempestuous elements of nature ,the solemn movement of the prose, rising to a crescendo at the end and all the strands of the story converging to the ‘single effect’ produce the grim phantasm, fear, which dominates the story. The strange appearance of the house, the weird actions of the mad inhabitant of the house, Usher, the strange burial and return to life of Madeline ,the death of Usher and the destruction of the house are incidents that contribute to the effect of horror. But there are other subtle factors too. One such factor is a series of ‘weird identifications’, for example, identification between the house and its inmates, between Usher and his sister and finally between the madness of Usher and the momentary madness of the narrator. Even, in the poems too Poe is at his innovative best ,so far as the use of diction is concerned. In the most popular poem,â€Å"The Raven†, the poet with his capturing diction runs to relate to the readers the grief of a bereaved lover for his lost love. The refrain ‘nevermore’ expresses the intensity of sorrow of the lover for his never-to-return beloved! In another poem â€Å"To Helen†, Poe mingles theme and form adeptly. Poe’s complete mastery over the diction is seen in the poem The Bells, where the four different stanzas recapture with striking effect the sound of four different bells—silver bells,golden bells, brass bells and iron bells. It has been rightly praised as one of the finest examples of onomatopoeia. In conclusion, it can , of course, be said in the words of Kirszner and Mandell , â€Å"Using vivid imagery and evocative comparisons, writers of imaginative literature often stretch language to its limits. By relying on the multiple connotations of words and images, a work of imagination †¦encourages readers to see the possibilities of language and to move beyond the factual details of an event. †[p-1] Sources Books: 1. Kirszner, Laurie G. & Mandell, Stephen R. : Literature: Reading, Reacting, Writing, Heinle&Heinle,1999. 2. Davidson, Edward H. : Poe—A Critical Study ,Harvard University Press, USA. 3. Krutch, Joseph Wood: Edgar Allan Poe—A Study in Genius, N. Y. Knopf, USA Web Sources 1. www. poestories. com 2. www. poemuseum. org

Demographic Factors Research - 909 Words

Coca Cola Coca Cola is one of the biggest beverage organizations in its industry. Coca Cola manufactures and distributes, and markets their products. Coca Cola was invented on May 1886 by John Stith Pemberton in Jacob’s pharmacy in Atlanta, GA (Coca Cola, 2009). The name for the company was suggested by his bookkeeper Frank Robinson. The Coca Cola is a globalized company and has business practices put in place that are built on simplicity and solidity. The Coca-Cola Company and its network of bottlers include the most sophisticated and all-encompassing production and distribution system in the world (Coca Cola, 2009). That system is devoted to people working long and hard to sell the products that Coca-Cola creates. The main†¦show more content†¦Coca Cola and Procter amp; Gamble work hard to create a work environment that is inclusionary for every one of their associates as part of the globalization process. â€Å"Globalization describes the accelerating links between nations and people in a world system connected economically, politically, and by modern media and transportation.† (Kottak amp; Kozaitis, 2003). Both companies have diversity programs in place to train their employees and keep them stay focused on what the company’s philosophy follows. Coca Cola and Procter amp; Gamble have practiced multiculturalism because they operate out of many countries. â€Å"Multiculturalism pervades the worlds of work, politics, public service, and personal relations. We confront elements of MC as we work, vote, socialize, and watch television† (Kottak amp; Kozaitis, 2003, pg 50). It very important for the people who chose to be employed by these companies understands the importance of cultural diversity to them. The companies target all races in their efforts to show the world their multiculturalism. References Kottak, C. P. amp; Kozaitis, K. A. (2003). On being different: Diversity and multiculturalism in the North American mainstream (2nd ed.). Boston: McGraw-Hill. Proctor amp; Gamble, 2010. Retrieved on July 1, 2010 fromShow MoreRelatedEssay on Demographic Factors Research3697 Words   |  15 PagesRunning head: DEMOGRAPHIC FACTORS RESEARCH Demographic Factors Research University of Phoenix MMPBL 560 Managing in a Cross-Cultural Environment October 19, 2009 Organizations around the world are experiencing the effects of cultural and global diversity. Kellogg, Starbucks, McDonald’s, and Arbor are four companies introduced in this paper. 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